Shanghai Fashion Week

EXCLUSIVE: Gender-Inclusive Label Scores Yu Prize Top Award

EXCLUSIVE: Gender-Inclusive Label Scores Yu Prize Top Award

LONDON –, the Hong Kong-based gender-inclusive label founded by Derek Cheng and Alex Po, has been named the winner of this year’s Yu Prize top honor, the Li-Ning Grand Award.The duo beat nine other contestants, who were judged based on the two looks each created for the final, to walk away with a one million renminbi, or $149,000, cash prize, plus a collaboration opportunity with Li-Ning, a slot to showcase at the Sphere showroom in Paris for two seasons, a 12-month mentorship program with OTB Group, retailing at Harrods and promotional support on China’s social commerce platform Xiaohongshu.
In an interview with WWD, the duo said they would invest the prize money in e-commerce, as well as expand into international markets, especially Europe.

“Our first collection was launched in January 2020 during Paris fashion week, right before COVID-19 hit. With traveling limitations and cancellations we haven’t been able to showcase our collection to the international market physically,” Po said.

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Cheng added that the brand, in the near term, is “seeking a sustainable collaboration in using deadstock fabrics from factories or brands to do hand-crochet pieces.”
The two first met and later became roommates when studying fashion design at London’s Central Saint Martins. Po later obtained a master’s degree from the Royal College of Art, specializing in men’s knitwear. The two launched in 2019 with the intention of challenging gender stereotypes and raising questions against social norms.

Two looks from’s fall 2022 collection.

Ye Feng, group vice president at Li-Ning, said the brand “represents a fresh perspective in combining art, craftsmanship, and characteristics of Chinese culture.”
“The designers showed their ability to balance creativity and commerciality, which we know will appeal to our customers when launching our collaboration,” he added.
Michael Ward, managing director of Harrods, said stood out this year because the brand has “an incredibly strong sense of identity, and their DNA was clear throughout their presentations.”
“Their collection demonstrated a seamless and evident journey from the brief’s inspiration to the end product all while keeping their customer at the center of their designs,” added Ward.
The winners of the second edition of the Yu Prize, founded by entrepreneur Wendy Yu, were revealed during a virtual ceremony on the last day of Shanghai Fashion Week’s three-day digital showcase.
Besides handing out the top award, Yuchen Han of AlienAnt scored the Rising Voices Award in partnership with Ugg. He will receive a 100,000 renminbi cash prize and a collaboration deal with the footwear label.
Olivier Lorans, vice president and general manager of Deckers China, said the company was impressed with the Fashion Institute of Technology graduate’s futuristic imagination positive energy, and dynamic designs.
Louis Shengtao Chen, Private Policy, Ruohan, Victor Wong, and Yirantian all bagged the Creative Impact Award in partnership with Yumee. Each one of them will receive a 50,000 renminbi cash prize.

Left: Yuchen Han of AlienAnt, Louis Shengtao. Middle: Derek Cheng and Alex Po of Right: Yitantian, Siying Qiu and Haoran Li of Private Policy, Ruohan, and Victor Wong.

Yu said this year’s winners represent a collective power and the best of China’s rising talents.

“I’m inspired by their creativity, passion for innovation, and sustainability. From one of last year’s semi-finalists to this year’s grand award winner, has successfully managed to go deeper to refine their wonderful and unique vision and cultural narrative, whilst translating it also in business terms.
“I was also very impressed by Louis Shengtao Chen’s avant-garde romanticism, Ruohan’s effortlessly chic contemporary minimalism, Private Policy’s unique interpretation of inclusivity, youth culture and sustainability, Victor Wong’s out-the-box thinking and futuristic designs, and lastly Yirantian Guo’s integration of Chinese cultural heritage with her modern aesthetic,” she continued.
“I hope that the Yu Prize serves as a form of validation for our winners in helping to build their international profiles and grow their influence globally,” she added.
This year’s winners were chosen from a panel of judges including Yu; fashion designers Iris van Herpen and Mary Katrantzou; Shanghai Fashion Week’s Lu Xiaolei; Fédération de la Haute Couture et de la Mode’s executive president Pascal Morand; OTB Group president Renzo Rosso; Vogue’s Sara Sozzani Maino and Sarah Mower; Harrods’ Ward; Labelhood founder Tasha Liu; Huasheng Media founder Xuan Feng, and former Elle China editor in chief Xiao Xue.
A reception for the finalists will be held later this year in The Harrods Residence if COVID-19 rules permit, and all winners will receive mentorship from OTB.
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Märchen, Shanghai’s Best Kept Secret, Is Ready to Go Global

Märchen, Shanghai’s Best Kept Secret, Is Ready to Go Global

LONDON — The brand Märchen, founded by Central Saint Martins alumni Chen Mei, is a bit of a legend among fashion retailers and emerging designers in China.
A silk dress from the brand went viral on China’s social commerce platform Xiaohongshu and almost became the uniform for the platform’s influencers in 2018. It’s estimated that around 10,000 units of that dress have been sold so far, at 4,790 renminbi, or $733, each.
According to Chen, the dress went viral because its asymmetric A shape fits into China’s fairy-tale dress trend, and flatters Chinese women’s body shapes. It creates dramatic volume when moving, yet looks “girl next door” enough when standing still. The relatively affordable price point also allows Chanel and Hermès bag-carrying consumers to buy into it with little hesitation.

Märchen’s viral silk dress. 

Since then Märchen has built a cult following and continuously been one of the best-performing brands among its China stockists, such as SND in Chongqing, Dong Liang in Beijing, and Le Monde de SHC and Labelhood in Shanghai.
Dong Liang was the first to carry the brand in 2015. The store’s founder Charles Chen told WWD that he committed to Märchen instantly because it came with a natural, strong and fully formed narrative from the beginning.
“You can tell the designer has good taste. Also since she studied textiles at CSM, her requirements for fabrics are quite high. Even as lots of brands tried to copy her, she is always one step ahead of the game by introducing new and unexpected textiles and techniques every season,” he added.

Will Zhang, founder of SND, said he has been working with the brand since its second season, and Chongqing’s affluent consumers ages 18 to 25 are particularly fond of Märchen’s signature items, such as a midi skirt with bows, a wool pleated skirt and that famous silk dress.
Now the seven-year-old, Shanghai-based label aims to expand beyond China with a fall 2021 collection that features updates on Chen’s bestselling pieces with a more subversive take on femininity, and a ballgown with a staggering price tag of 250,000 renminbi, or $38,276.

Märchen’s fall 2021 collection finale. 
Courtesy/ Fuwafuwa Studio

“I got so many inquiries about that dress after the show,” Chen said. “When I told them about the price, which was based on how many hours my team spent on it, many still think that it’s rather reasonable. My team spent two weeks making that dress and was still adding various sizes of bows and organzas onto it hours before the show started.”
Chen said she was still not satisfied with the final version but was glad to hear from an industry leader who she admires that “this is the most decent ballgown Shanghai has ever seen.”
While the dress drew lots of interest, the designer said she won’t make another one unless under extreme circumstances.
“I hold a very high standard on my products. With my current small team, it’s illogical for me to produce an art piece like this in mass quantity. I will consider expanding into this category when I have my own store, and a proper atelier to serve my customers,” she added.
Actually, the majority of Märchen’s offering is around the more affordable 2,000 renminbi to 40,00 renminbi, or $306 to $612, price range.

Chen added that since all her team members are “control freaks” — and even though the brand is paying more for experienced machinists at factories to handle the production — the studio will do an extra round of quality checks before garments are sent to stores or customers.

A look from Märchen’s fall 2021 collection. 

Tasha Liu, founder of Labelhood, told WWD that Märchen is able to find success even without doing shows because Chen truly understands what customers want.
“She understands the most delicate heart of a girl. For example, the pattern of a dress will be changed many times before production to adapt to the body shape, to show the right body parts, and cover the parts that a girl feels most insecure about. Her design lets the wearers feel that they can instantly turn from an ordinary girl into a superstar,” she said.
“What’s more interesting is that the image Märchen presents is very complex and multilayered. Her girly design has a sharp undertone, and she keeps pushing the boundary of dressmaking and keeps adding new techniques and innovations into her design,” Liu added.
Le Monde de SHC’s founder Eric Young called Märchen “one of the best” brand community operators among Chinese designers.
“Chen knows how to create a ‘Märchen cult’ on social media. Not only does she demonstrate what a Märchen girl is, but there are also a lot of fashionable girls with unique tastes and huge followings to exemplify her brand. You can instantly recognize a Märchen girl when you see one. They all follow Chen’s unique style, hair color and makeup. It’s very interesting, no other brand in China does this,” he said.

A close-up of the final look from Märchen’s fall 2021 collection. 

Born and raised in Fujian, Chen became interested in fashion in middle school.
“I went to a boarding school. So many of my classmates, who are children of Hong Kong businessmen, carried Vuitton bags for class. Also, Fujian was a big fashion manufacturer hub, so there were lots of international fashion magazines around,” she said.
A big fan of John Galliano, the first luxury item Chen ever acquired was a pair of Dior earrings her cousin bought her in Singapore.
In high school, Chen was going to apply to study architecture at China’s prestigious Tsinghua University, but a terrible breakup eventually led her to CSM.

“My London life was pretty glamorous in the beginning, going crazy on shopping. But then something happened to my family, and all of a sudden I was washing dishes in restaurants to put myself through university,” Chen said.
Upon returning to China after graduation in 2014, Chen never thought she would launch her own brand. She was at an office job while doing freelance work for a Japanese textile company on the side.
“The Japanese company sent me lots of fabric samples, so I used them to create a capsule collection. Luckily Dong Liang’s Charles saw my work on WeChat, and soon I received my first order,” she said, adding that she randomly came across the word Märchen, which means “fairy tale” in German, and since it sounds like her name in Chinese pronunciation, she chose it as the brand name.

In 2016, Märchen made its Shanghai Fashion Week debut with Labelhood. Chen spent all her savings on the show, but received little attention afterward.
“It was the moment I realize that I have to build up a business first, before spending money on marketing and promotion,” Chen said. “I have nothing to fall back on to. I am not like the other Chinese designers who come from wealthy families. After the incident, my family can no longer support me if I don’t make this work.”
It’s also around that time that she recruited some very helpful team members, and together, they developed the silk dress in 2017. More than 1,000 of the first edition of the dress sold out very quickly. Soon after, they updated the dress with more decorations and better techniques and introduced the second edition to the market.
The next year, Chen found out that the dress was trending on Xiaohongshu, and thanks to its viral popularity, the company became financially secure.
Chen said Märchen last year clocked an increase of more than 50 percent in total revenue, and she believes the brand is finally ready to move on to the next stage and let the world see that there is one more brand from China that the global fashion community needs to watch out for.
In the future, Chen wants the brand to create a universe of its own, where everything is designed with the same standard and cited Rei Kawakubo’s Comme des Garçons as a point of reference.
“I want to make uniforms that 50 percent of the population can appreciate and wear, whether it’s a T-shirt, skirt, blazer, or coat. Most of them will be sold at an approachable price point. Even those who don’t buy my design often, the one thing that they have will leave them a good lasting impression,” she said.

“Buying into Märchen is like going on a date. When they spend money on you, you want to leave a good impression, so that they want to ask you out again, and eventually go into a committed lifelong relationship,” Chen added.

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