jil sander

Jil Sander RTW Spring 2023

Jil Sander RTW Spring 2023

What rain? What distance? All the complaints the fashion crowd might have had about reaching the Jil Sander location on the outskirts of Milan in the pouring rain were silenced the moment Lucie and Luke Meier sent their spring collection down the runway — hands down one of the highlights of the week.

In a grand set-up — a roofless white box in the middle of a field, with black sand on the floor and a wild garden of flowers, trees and greenery dividing the space inside — the designers went back to their early days at the brand by staging a coed show.

This was a display of fashion force, which exhibited the charm of the Meiers’ codes. Precision, a sense of ease and proportion, research into fabrics, crafty details and a unique color sensibility inform their approach.

For spring, the designers magnified these core elements while heightening the eccentricity they have been increasingly injecting into the brand. The approach fit with the collection’s theme, an exploration of the West Coast and California — a journey the Meiers started with the men’s resort 2023 range — and the duality between pragmatism and Hollywood glitz.

Working with elongated silhouettes, the duo offered relaxed takes on tailoring, including jackets and vests with generous single point lapels as well as lean, round-neck tank tops worn with roomy Bermuda pants or kilts. All these items made for a shared wardrobe across men’s and women’s, along with other staples such as high-waisted pleated trousers or cargo pants in fluid fabrics.

Embellishments followed: cascades of sparkly fringes, crystal embroideries and mirror appliqués in the shape of clouds (or perhaps puddles, given the rain) worked well on both genders. So did a thick crochet technique with sequins used on tank tops, minidresses and bags.

Feathers and chic, lightweight frocks with draped or pleated details added to the collection’s movement and rich texture, which peaked in the finale of sequined, fringed skirts worn with minimal tanks. Their swaying glory somehow seemed even more special as models gracefully held umbrellas under the gloomy sky.

“Nature wins every time,” commented Luke Meier about the weather. It wasn’t the only winner of the day.

Jil Sander’s Lucie and Luke Meier on Going Coed, Menswear Push and Brand Milestones

Jil Sander’s Lucie and Luke Meier on Going Coed, Menswear Push and Brand Milestones

MILAN — Ask Luke Meier the biggest lesson he has learned so far sitting at the creative helm of Jil Sander with his wife Lucie and a concise yet striking love declaration is offered as the answer. “That my wife and I are indestructible,” he said during a Zoom call, his piercing eyes looking right into the camera emphasizing the conviction in his words.It was the punchline of a 20-minute conversation that touched on different themes, from a reflection on the work the couple has done during their five-year tenure at the OTB-controlled brand to a new menswear push and a newsy change of show format.
While many luxury brands are switching back to present womenswear and menswear separately, the Meiers are embracing the coed formula again, planning to stage a runway show to introduce both lines’ spring 2023 collection in September.

Related Galleries

“We’ve always liked that idea.…We have our minds both in men’s and women’s all the time, anyway. It’s really the same universe,” said Luke Meier about going coed, which is a format they favored in their early days at Jil Sander. As the womenswear offering included pre-collections, the couple then separated the lines to give menswear its fair dose of attention.
“We split them apart to kind of give the menswear its own moment, we felt that was really needed. And now we feel it’s quite strong, it stands right next to the womenswear in the right way. So to bring them back together can really show more the entire universe of Jil Sander the way we wanted to do it,” he continued. “It just took us a little while to establish it in the right way, but we feel now it’s the right time.”

Jil Sander, men’s resort 2023
Courtesy of Jil Sander

The introduction of the first men’s pre-collection for resort 2023, unveiled on Monday, is also timely for the couple and is set to further achieve a balance between the two lines.
“We feel there’s an opportunity to expand what we’re doing a bit more,” said Meier, who believes “the relationship between a pre-collection and a show collection is interesting” as the former “gives you more of a breadth of different kinds of things to work on.”
Even if menswear has been growing at the company, Meier said there haven’t been any major changes in the way the designers creatively approach the category, as they channel their energies mainly on amplifying their work and “giving it more depth.” 
The initial menswear resort effort exemplifies that attitude, reinvigorating the sharp and precise aesthetic of the brand with eccentric accents and crafty details.

Jil Sander, men’s resort 2023
Courtesy of Jil Sander

“We do definitely work on sort of an ongoing evolution of our ideas, but I think each season we like to pull out something that’s unique for the collection,” said Meier. This time, the couple looked at the West Coast and California to explore what it represents to people and deliver a sense of ease and “freedom of doing.”

Jil Sander, men’s resort 2023
Courtesy of Jil Sander

“It’s this kind of idea of postwar migration to the West, with this [notion] of possibility. There was something very positive…That feeling that you can go somewhere where you can dream of something, and there’s an environment that is embracing that.…It’s like willing culture: if you just want to try something, you could just do it, you don’t have a heavy burden of tradition in front of you,” said Meier.

As a counterpoint, he noted the geographical reference is also the land of Hollywood, therefore a more glamorous spirit was to be taken into consideration during the creative process, too.
The tension between these two facets translated into a charming blend of workwear and elongated, geometric silhouettes with polished fluid fabrics and sparkling effects. Suits were replaced by lean, round neck tank tops, neat shirt-jackets, boxy leather T-shirts and Japanese wool and cotton trenchcoats lined with colorful prints, signaling a fresher take on masculine wardrobe tropes. In the same spirit, high-waisted pleated pants and shorts were flanked by kilts and long skirts, which contributed to defining the new silhouette.

Jil Sander, men’s resort 2023
Courtesy of Jil Sander

Cashmere and cotton knitwear, dyed or with floral fil-coupé jacquards, added a tactile quality to the graphic lineup, while its more eccentric expression was conveyed through palm tree prints in gradient colors, cascades of sequins and brooches punctuating the looks. The color palette ranged from butter and sandy tones to pastel hues, indigo and silver notes.
“Men are embracing design a lot more…there’s a sort of an attention to the details. They pay attention to their jewelry, accessories, their bags or even grooming and hairstyles,” noted Meier. “It’s exciting because I feel that there’s a different consciousness awakening a little bit, and not in a purely fashion sense. I think people are taking care of themselves a bit better, they want to present themselves better. They feel better if they go a little bit deeper than just [having] like one big statement piece.”

Jil Sander, men’s resort 2023
Courtesy of Jil Sander

Consumers’ inclination toward improvement mirrors the designers’ attitude when questioned if they have set a target for their job at Jil Sander. “I guess it’s to always be better. You have short-, medium- and long-term goals…but I think the main one that is always there, every morning, is: how do we get better? And that doesn’t mean bigger, necessarily, it just means: how do we make everything better? Because we have quite a holistic approach, we care a lot about the way we work as well as the end result.…Because it’s our life, too, right? It has to be something that you enjoy doing, you have to be able to live, as well.

“So better collections, of course, better design, better ideas, more beautiful and profound imagery, just better everything. But also better approach to making it,” continued Meier. “In that sense, there’s never a finish line, right? You never find the target. And I think that’s one thing I find interesting about fashion — that you don’t do a project and stop, you have to always be engaged in doing.”
Also in light of this constant push forward, it wasn’t easy for the duo to pinpoint their pivotal moments at Jil Sander since their appointment in 2017. “We’re not very revisionist, actually. I mean, this job sort of forces you to kind of always be thinking forward,” confirmed Meier. Still, he identified the brand’s women’s fall 2020 collection as a favorite one so far, also because it was the last before the pandemic outbreak.

Backstage at Jil Sander, fall 2020.
Delphine AchardWWD

Yet the response to the disruption caused by the COVID-19 outbreak, which forced the whole industry to reinvent itself — at least temporarily — deserved even more recognition from Meier.
“I’m quite proud of the way that everybody managed to get through all of that because even when I look back at some of the look books, even the films that we made [during the pandemic], they’re really strong. I would never present those and say, ‘Oh, well, that was because there was all this trouble.’ I feel that’s only a testament to our teams and the people, everybody who really made a huge effort. I’m as proud of those collections as I am of the other ones that we’ve done under normal circumstances,” he said.
Despite having joined the fashion house five years ago, Meier said, “it feels like we’re still just really getting started, that it’s still just the beginning.” He additionally credited OTB’s supportive approach, adding that the group is “really hungry for things to go bigger.”

Jil Sander, men’s resort 2023
Courtesy of Jil Sander

As reported earlier this year, the brand’s parent company unveiled an ambitious plan for the 2022-24 period, including eyeing an initial public offering to take place in 2024. OTB Group acquired Jil Sander from Onward Holdings Co. Ltd., adding it to its portfolio comprising Diesel, Maison Margiela, Marni and Viktor & Rolf, as well as production arms Staff International and Brave Kid, and a minority stake in Amiri.

The 35 Best Modest Looks from Milan Fashion Week Fall/Winter 2022

The 35 Best Modest Looks from Milan Fashion Week Fall/Winter 2022

Milan Fashion Week came back strong after two years in the deep due to the Covid-19 pandemic. Making bold choices, participating designers played with the fall and winter season colors of black, brown, white, beige, blue, and silver/grey, creating an almost dark/light academia aesthetic. Standing out were Roberto Cavalli’s striking leopard patterns with draping suit jackets and majestic cape dresses, while Dolce & Gabbana made statements with headscarves paired with demure silhouettes in monochrome palettes. Versace embraced a similar mood, but with form-fitting shapes, and Jil Sander took on a more formal approach and offered a modest suit in yellow and a grey dress paired with white leather gloves.
Below, check out the 35 best modest looks spotted on the runways of Milan Fashion Week.
Dolce & Gabbana. Photo: Courtesy of Fillippo Fior
Gucci. Photo: Courtesy of GoRunway
Roberto Cavalli. Photo: Courtesy of GoRunway
Versace. Photo: Courtesy of GoRunway
Max Mara. Photo: Courtesy of Alessandro Lucioni
Roberto Cavalli. Photo: Courtesy of GoRunway
Alberta Ferretti. Photo: Courtesy of GoRunway
Versace. Photo: Courtesy of GoRunway
Max Mara. Photo: Courtesy of Alessandro Lucioni
Roberto Cavalli. Photo: Courtesy of GoRunway
Prada. Photo: Courtesy of Alessandro Lucioni
Alberta Ferretti. Photo: Courtesy of GoRunway
Loro Piana. Photo: Courtesy of Loro Piana
Versace. Photo: Courtesy of GoRunway
Dolce & Gabbana. Photo: Courtesy of Fillipo Fior
Moschino. Photo: Courtesy of Alessandro Lucioni
Emporio Armani. Photo: Courtesy of Alessandro Lucioni
Max Mara. Photo: Courtesy of Alessandro Lucioni
Dolce & Gabbana. Photo: Courtesy of Fillippo Fior
Fendi. Photo: Courtesy of GoRunway
Giorgio Armani. Photo: Courtesy of Fillippo Fior
Bottega Veneta. Photo: Courtesy of Alessandro Lucioni
Versace. Photo: Courtesy of GoRunway
Fendi. Photo: Courtesy of GoRunway
Etro. Photo: Courtesy of GoRunway
Versace. Photo: Courtesy of GoRunway
Jil Sander. Photo: Courtesy of Alessandro Lucioni
Gucci. Photo: Courtesy of GoRunway
Prada. Photo: Courtesy of Alessandro Lucioni
Jil Sander. Photo: Courtesy of Alessandro Lucioni
Versace. Photo: Courtesy of GoRunway
Gucci. Photo: Courtesy of GoRunway
Bottega. Photo: Courtesy of Alessandro Lucioni
Emporio Armani. Photo: Courtesy of Alessandro Lucioni
Giorgio Armani. Photo: Courtesy of Fillippo Fior
Read Next: The 27 Best Modest Looks from London Fashion Week Fall 2022 Ready-to-Wear

If You Want Renzo Rosso’s Number, Get a Mentorship at OTB

If You Want Renzo Rosso’s Number, Get a Mentorship at OTB

MILAN — Renzo Rosso continues to support emerging talents around the globe.
The Italian entrepreneur will be part of the jury for the first edition of the Yu Prize, a competition organized by fashion investor Wendy Yu aimed at promoting emerging Chinese designers. The winner amongst the 16 finalists — comprised of At-One-Ment, Chen Peng, Danshan, Donsee10, 8on8, Garçon by Gçogcn, Oude Waag, Ming Ma, Redemptive, Shie Lyu, Shushu/Tong, Shuting Qiu, Susan Fang, Yueqi Qi, Windowsen and ZI II CII EN — will be revealed in April during Shanghai Fashion Week.
Along with being part of the jury, which counts a range of high-profile fashion personalities, such as designers Diane von Furstenberg, Giambattista Valli and Jason Wu, as well as Metropolitan Museum of Art curator Andrew Bolton and Fédération de la Haute Couture et de la Mode’s president Pascal Morand, Rosso, through his OTB group, will offer the winner a one-year mentorship. OTB, where Rosso sits at the helm as chief executive officer, is the parent company of brands like Marni, Maison Margiela, Diesel and Viktor & Rolf, as well as Amiri, in which the Italian group has a minority stake.

“I’m really happy to take part to this talent contest in China, which is becoming the biggest market for the fashion industry,” said Rosso. “I think it’s so important for a group like ours to be connected with the young talents, especially in such a fast-growing, stimulating country like China.”

According to Rosso, his group’s participation with the Yu Prize also gives it the chance to learn more about the Chinese local market and to show OTB’s loyalty to China.
As the entrepreneur revealed, the brands under the OTB umbrella are all growing extremely well in China. “The one that is really performing above expectations is Maison Margiela,” said Rosso, who has recently acquired 100 percent of the Jil Sander brand.
Rosso is certainly not new to talent competitions.
Previously with Diesel and then with OTB, the fashion entrepreneur was the first to sponsor International Talent Support, the contest holding its 19th edition in 2021 that scouted a range of names including Demna Gvasalia.
In addition, Rosso is the only Italian jury member for the annual ANDAM French fashion prize, which has increased the amount of its grand prize to 300,000 euros for the this year’s edition. Rosso has been president of the jury and mentor for the talent contest twice. Over the years, ANDAM had among its winners Martin Margiela, Viktor & Rolf’s Viktor Horsting and Rolf Snoeren, as well as Glenn Martens, who was named creative director of Diesel last year.
Rosso also took part in Camera Nazionale della Moda Italian’a Milano Moda Graduate initiative, giving visibility to the most promising talents at the Milanese fashion schools. In the past he supported the winners of the CFDA/Vogue Fund by financing the “Americans in Paris” project.
“Scouting and supporting young creatives has always been part of the DNA of OTB, where we have a talent acquisition team that every week is in touch with the most important fashion schools to organize meetings and mentorship programs,” said Rosso, citing for example Central Saint Martins in London, the Shenkar Institute in Tel Aviv, the Accademia Costume e Moda in Rome, as well as IED, Polimoda, Marangoni and Domus Academy in Milan.

Additionally, OTB develops continuous collaborations with prestigious universities, such as Politecnico in Milan, Ca’ Foscari in Venice and La Sapienza in Rome. “We also work with a range of local technical institutes, offering the classes with our managers, but also providing them with fabrics and materials to help the students’ developing their projects.”
Rosso is also personally involved in mentorship programs that over the years opened the doors of OTB to a range of talents, including Alexandre Mattiussi. “I give them my personal cell number and they can call me to ask me anything,” said Rosso. “Depending on the different talents, we create customized paths to discover all the different aspects of our companies and to give them the training that they need, according to their specific desires.”

Jil Sander Talks Comeback, Uniqlo and the Perfect Coat

Jil Sander Talks Comeback, Uniqlo and the Perfect Coat

After many years away from the fashion scene, Jil Sander is back with a new +J collection that drops Thursday at Uniqlo stores worldwide, and online.
The German designer, acclaimed for her meticulous brand of minimalism, marked a big fashion comeback in 2009 when she partnered with the Japanese retailer for a new brand of well-crafted fast fashion. The fall 2011 season was the last for +J — until now.
It’s clear Sander still has more to say, and her latest exacting silhouettes for women include a short puffer jacket with fluted sleeves, neat merino wool cardigans and multistripe shirts with band collars. Men’s looks include an oversized work jacket, a down-filled blouson and sleek chinos.

Sander left her namesake brand twice in the early Aughts, and then for good in 2013, and took a leave of absence from the fashion world. In 2017, she was the subject of a major retrospective at Frankfurt’s Museum of Applied Arts.
Here, she talks about how the crisis has affected her design approach, her beauty aspirations, and why the perfect coat is a shifting quantity.
WWD: It’s been more than a decade since your landmark collaboration with Uniqlo. What took you so long?
Jil Sander: My last show for Jil Sander was in 2013. In the last years, I kept my creativity busy by building, gardening and preparing a museum show of my work. Meanwhile, I kept in touch with Uniqlo, and now the time felt right for a restart of +J.

Related Gallery

Jil Sander for Uniqlo.  Courtesy of Uniqlo

WWD: You’ve had many returns in fashion.
J.S.: Yes, returning seems to be my karma. I wanted to react to disposable fashion, and I knew what could be done in a cooperation with Uniqlo. The buying power, logistics and global distribution network of my Japanese partners make it possible to produce high quality design at democratic prices.
WWD: Crisis affects designers in different ways: How did it change your own approach to dressing and your idea about how people might want to dress?
J.S.: Of course, the pandemic was on our minds and influenced the design. I looked for larger shapes that can shelter us, for more softness and kindness. But my general approach hasn’t changed. I tried to advance my idea of sophisticated 3-D designs that underline the personality of the wearer. So, I took care to fit the volumes in a way that defines the body. I feel that we look for smart, well-tailored pieces that give us a boost of self-assurance and prepare us for a new start.
WWD: A prominent buyer once told me that just when you think Jil Sander has designed the most beautiful navy coat, she designs an even better one.
J.S.: I continue to work on basic items like the navy coat or the white shirt and alter them according to material innovation, contemporary proportions and cuts. This ongoing redesign process is like a study of time. If you like the new version better, to me that’s the essence of modernity. Since attractive clothes are not only about quality and classic cuts, they also ought to express the zeitgeist.
Jil Sander for Uniqlo.  Courtesy of Uniqlo

WWD: Is there a particular garment you enjoy designing the most? If so, which one and why?
J.S.: Maybe, I would name the Chesterfield coat. A coat is always shifting in proportions, it has lots of details I want to adjust according to a contemporary sensibility.

WWD: Yves Saint Laurent once said he wished he had invented blue jeans. If you could have invented one thing in fashion, what would it be?
J.S.: I guess, today, the light down jacket. When I saw the first light down in a hiking store 20 years ago, it struck me that this would be the new fur coat. I had been shaving furs to make them lighter, but the light down was their substitute. I do care for invention, first of all in fabrics, but also in new ways of workmanship. We had many innovative ideas in the past.
WWD: The fashion world is accelerating into digital. Do you shop much online?
J.S.: I don’t shop online.
WWD: Outside of fashion, is there anything you would like to try designing?
J.S.: I once designed the interior of a sports car, but I look at everything with a designer’s eye. And I would love to translate my experience and my idea of purity into a beauty line.
Jil Sander for Uniqlo.  Courtesy of Uniqlo

WWD: Last you spoke to WWD, you had a big exhibition in Frankfurt. Any plans to do any other such project around your fashion career?
J.S.: I am working on a book project. And our exhibition may travel, once we see better times.
WWD: Your +J collection drops today: Any predictions on bestsellers, or any advice for people who might not have your expert eye about how to choose the right thing?
J.S.: The collection is quite concentrated, but well coordinated. I’d advise to buy a whole look rather than just one piece. And one should keep in mind that larger volumes don’t translate into smaller sizes, since all sizes are body-fitted for comfort.

PHP Code Snippets Powered By : XYZScripts.com