Swarovski

Kylie Jenner Layered Her Little Black Dress With a See-Through Skirt Made Entirely out of Swarovski Crystals

Kylie Jenner Layered Her Little Black Dress With a See-Through Skirt Made Entirely out of Swarovski Crystals

Photo: Getty
Kylie Jenner has clearly been looking through the Prada archives. The reality star was just one of many celebrities in attendance at the label’s spring 2024 show, alongside Scarlett Johansson, Emma Watson, Sofia Richie Grainge, Hunter Schafer, and Benedict Cumberbatch. Jenner, who was seated between Edward Enninful and Rosalía, snapped selfies before the show with the Spanish singer.
Jenner arrived at the spring 2024 runway in a black bodycon mock neck dress with the signature enamel inverted triangle logo displayed on the neck, a pair of black pointy-toed pumps, and oval sunglasses. But the real wow factor was her skirt, a net of pear-shaped Swarovski crystals that gradually increased in size, leaving a row of stones dangling from the hem like water droplets.
Photo: Getty
The custom Prada skirt is a custom recreation of the closing look from the Italian fashion house’s spring 2010 show. Worn by Kate Kosushkina, the original prismatic crystal skirt was layered over a white shirtdress. The 2010 outfit was far more dramatic, complete with a severe side part and a bold orange-red lip, but Jenner’s take shows how the look can be worn more casually (or, as casually as one can wear a skirt made entirely of Swarovski crystals).
Jenner has been reinventing her personal style lately. The lip kit mogul has recently swapped her logo-heavy wardrobe of yore for a more refined, neutral approach to dressing. While some of her looks may be more perplexing than others, her Prada outfit was a shining standout in her new fashion sense.
Originally published in Vogue.com

Alexis Nasard, Swarovski’s Very First External CEO, Reveals the Magic Formula Behind the Brand’s Sparkling Success

Alexis Nasard, Swarovski’s Very First External CEO, Reveals the Magic Formula Behind the Brand’s Sparkling Success

Bella Hadid in Swarovski jewelry. Photo: Courtesy Swarovski
You’ve seen them sparkling in the windows, you’ve seen them dazzling up your favorite stars—Swarovski is in its strongest era yet with a whole new look, but with the same festive flavor it has always been loved for around the globe. The brand, which was once reserved for classic jewelry pieces and beautifully crafted home decor favorites, now boasts a range of baubles that toe the line between elegant and edgy. Multicolored crystals come together for a playful effect in the Chroma collection, the iconic Swan gets a new-age revamp with gold crowns and pop hues, and cheeky little sculptures of pineapples and exotic birds find their way into collectible jewelry pieces. Among the many names who can’t get enough of Swarovski these days are some of the coolest women in the world—Doja Cat doused herself in scarlet Swarovski rocks at Schiaparelli’s Paris Couture Week show, Bella Hadid has joined her name to the brand’s as  brand ambassador, and Michelle Obama is a fan of the crystal house’s Matrix Vittore earrings.

One of the main names behind the brand today is Alexis Nasard, Swarovski’s very first external CEO—who also happens to be a noteworthy personality of Lebanese origins. In the midst of a whirlwind trip to the UAE, the powerhouse, who has over 30 years of experience in the industry and counts himself as the first leader from outside the Swarovski family to hold this role in the brand’s 127-year-history, sits down with Vogue Arabia to deconstruct the method behind the madness, and what we can expect from Swarovski’s shining future.
Bracelet, Swarovski Chroma collection
Vogue Arabia: First off, Welcome to Dubai. How does it feel like to be back here?Alexis Nasard: There is a very special vibe in Dubai. There’s a vibe of success, a vibe of progress and increasingly, it’s becoming a platform for fashion, for trends, for luxury and an important part of our strategy at Swarovski.
Earrings, Swarovski Matrix Vittore collection
VA: You are the first CEO of Swarovski who’s not actually from the family, how did that come about?AN: In November 2021, the shareholders decided to professionalize the governance of the company. That started by creating a board of directors, majority of which is composed of non-family members and non-shareholders, so independent directors. And today we have a board of directors where five out of eight are independent directors and the shareholders/family members are three out of eight. For the first time, you have an independent chairwoman and that board also decided to appoint an external professional CEO in my person, and that’s how it came about. I think it’s a very good setup because it strikes the right balance between the family, that brings the legitimacy to the company, that brings heritage, that brings history and the family values – which are quiet foundational for the creation of our company. And we keep that whilst we talk that up with professional management that has been trained in different schools around the world to lead the company.
If you want to look at the results in 2022, we posted the strongest growth in seven years. We grew by 10%, if we exclude Great China, we grew 18% which is well above the jewelry market, and we grew in various parts of our business: in our retail business, in our component business, we grew online, we grew offline. Our strategic market in the US grew by 20%, which is really remarkable. It’s too early to cry victory, but the early signs of the implied strategies are definitely promising.
Earrings, Swarovski Iconic Swan collection
As a man of Lebanese origin, it’s a very proud moment for the region to see someone like you taking care of a brand that’s loved globally. Was entering this industry always a dream, or did it happen almost like a surprise in life?I always loved brands, and I always loved designers, and I always liked fashion. I have been in the branded business for all my career, and I have always liked art, modern art design. I personally paint in my spare time, within the renounces of my control. I am quite involved in the collections, so for me the industry is a fairly natural fit, because it is about all the things that I love to do, and I have passion for.
Ring, Swarovski Hyperbola collection
It’s evident that Swarovski has made a major shift in its aesthetic in the past few years. Can you tell us a little bit about the role you played in giving it this new flavor?Every time society goes through a dramatic or tragic phase, like world wars, or civil wars, or lately the pandemic, there is always a wave of joie de vivre, as we say in French. People realize that life is unpredictable, and they want to live it to the max. So they spend more, or go out more, or they want to self-indulge more, and this is why we have shifted our collection to something a little bit more bold, a little bit more colorful, to represent that joie de vivre as we call it, and that is something Swarovski has been always good at… reading, understanding and sensing what is moving society and cultural trends and reflecting that. Not only in our product collections, but also in our store concepts, you know with the new famous outlook, as well as our new marketing campaign with Bella Hadid, which is very much a reflection of the brand positioning which is all about joyful extravagance.
Earrings, Swarovski Gema collection
Can you tell us more about the process of selection? Why did you choose Bella Hadid and what were the reactions Swarovski received for it? As part of our desire to continue the “luxurization” of the brand—which includes the collection, the retail experience, the communication, the customer service—we felt that occasionally collaborating with a celebrity can be a good win-win for evolving the image of the brand. We love Bella. She’s beautiful, she has a discrete elegant beauty, she represents a very modern rendition of elegance and she has a massive following. She was rated as the No.1 model in the US. And we felt that she and Swarovski were a good fit, and business results are a true testament to it. Now, does that mean we will only communicate with the celebrities in the future? Not necessarily. But we will do it once in a while when we have a celebrity that really reflects the values of the brand.
In the end, what is luxury about? Where are the profound ingredients of luxury? Thinking about price only is a very simplistic way to think about luxury. There are deeper things behind it. You have heritage, you have creativity, luxury brands invent new codes. You have craftsmanship. These are all ingredients Swarovski has. So we can translate that into product solutions and execution that inspires the customer, gives her joy, self-expression and self-indulgence, which is really an essential part of the luxury experience. And we are able to do it, because we have a very unique capability of creating what I called a ‘beautiful complications’. We like to use the word ‘complication’ in segmenting our collection in high-mid-low complications. The analogy with watchmaking is actually quite easy and tempting, because a complication in watches is the ultimate example of sophistication and craftsmanship. And that’s something we do and we are one of the very few brands in Austria, made in Europe. We are kind of proud of that heritage!
Ring, Swarovski Idyllia collection
Do you think that the new era of Swarovski is also aiming at a different buyer? Are you looking closer at Gen Z?The answer is yes and no. By the way, Gen Z and millennials represents 67% of our consumer base, so we are relatively young skewed, and that has increased lately. But to be clear, we are not one of those brands who are always chasing youth and Gen Z. As you know, purchasing power increases with age in many parts of the world. So we want to make sure we have a healthy stream of recruiting amongst the youth to keep the brand current and relevant, but we are also happy to cater to the need of our current consumers because, as you know, the price to serve an existing customer is lower than recruiting a new one. We have a very balanced way in architecturing our consumer bills.
With everything that you’ve worked on with Swarovski so far, what would you say as the biggest challenge?The most challenging thing, when you lead a new organization on a transformation agenda is pacing the amount of change. If you go too fast, you will lose the organization on the way. If you go too slowly, business results don’t come. So it’s a constant. As I said earlier the job, of a CEO is a constant balancing act and for me at this juncture of the development of such an old company with very established value, is always tracking the right balance in pacing that change.
Necklace, Swarovski Volta collection
What do you think you would say is your proudest accomplishments so far for Swarovski?A CEO can never say he has a personal accomplishment because a CEO never works alone. Any accomplishments we had is with my colleagues of the executive community and the 18,000 Swarovski employees we have. I would say we brought results quickly. It may sound boring to you, you would prefer to talk about the millennials, but at the end of the day we are running a company, we are not running a museum and we need a beautiful brand, a brand of dreams, but we also need business of dreams and I think our challenge as an executive community is to make both happen.
Earrings, Swarovski Lucent collection
What inspiration do you think you can take from the Middle Eastern Swarovski buyer? And how did they inspire you to keep growing?I think as brand builder, relying on loyalty is a dangerous thing. I think the branding game is a permanent seduction. You cannot take any consumer for granted. None of them. Even if somebody has been with us for years, we have to permanently seduce her. And we seduce her with all the tools that we have. To respond to your question directly, the Middle Eastern consumer is a bit more extravagant than average. So generally when we see an uptake in certain collection in the Middle East, that inspires us to think or to believe that some collections actually have legs and potential for the future. Here is a fun customer that actually is a little bit more of a risk taker than average, which is a fun experience for us.
Earrings, Swarovski Dulcis collection
Do you have any plans for the future specifically for the Middle East? Any special collections that we can keep an eye out for, any new spaces, stores, experiences, that you would like to tell me about?Generally the platform is global, because we are a global brand, but we occasionally do launch capsules which are event relevant, culturally relevant, collaboration relevant, like the Ramadan capsule, which features all these green dancing stones. We might also do more of those in the future. We will also be refurbishing our store, and we are going to come with a local influencer that we are going to be using in a lot of our communication in the next few weeks. Can’t tell you who that is! That’s still our little secret.

Step Into the Festive Season With Swarovski’s Mouth-Watering Crystal Creations

Step Into the Festive Season With Swarovski’s Mouth-Watering Crystal Creations

Stella earrings, Stella rings, Swarovski; Top, Rokh at That Concept Store; Dress, Paco Rabanne at That Concept Store. Photo: Mann
‘Tis the season to indulge in all things brilliant, bold and beautiful—and where better to begin than with Swarovski? The globally-loved Austrian crystal house is celebrating the festive months with a host of tempting new creations, be it mouth-wateringly beautiful jewelry pieces, festive figurines, or home decor favorites.
This year, Swarovski’s offerings also extend to include annual edition hanging ornament—an intricate snowflake— that will instantly add sparkle to your tree, a Holiday Magic collection that focuses on snow-laden landscapes and woodland creatures, special Swarovski characters like Kris Bear and Mo & Ricci, and perhaps most exciting of them all, an advent calendar brimming with twinkling favorites. If you’re a fashion enthusiast, however, the jewelry is where you need to turn your attention.
Matrix hoop earrings, Chroma choker, Harmonia necklace, Millenia necklace, Harmonia cocktail ring, Swarovski; Dress, Hamda Al Fahim. Photo: Mann
Giving its range of wearable crystals a contemporary, fashion-forward spin, Swarovski’s latest roster of jewels toe the line between feminine and fierce. While the Stella collection—launched just in time for the holiday season—stands out for its star-shaped pieces, delicate crystal pearls and blue center stones, the Constella line blends silver-tone colorways with clear crystals. Crystal constellations dot thin metal bars for an out-of-this-world finish, and are perfectly complemented by the Constella Ball Ornaments and Constella Tree Topper. And then comes the Millenia collection: a series of bold and timeless creations that were crafted to be worn everyday and treasured forever. Whether you invest in Swarovski’s creations for a loved one or yourself, there’s no going wrong at this happy time.
To discover more from Swarovski’s festive offerings, click here.
Dextera hoop earrings, Harmonia chooker, Millenia necklace, Swarovski; Dress, Bottega Veneta. Photo: Mann
Hyperbola earrings, Millenia triangle choker, Millenia octagon necklaces, (right hand) Hyperbola cuff, Hyperbola cocktail ring, Constella cocktail ring, (left hand) Millenia bracelets, Dextera bracelet, Constella rings, Swarovski; Top, Courreges at That Concept store; Gloves, Minxy. Photo: Mann
Millenia ear cuffs, Matrix hoop earrings, Millenia triangle necklaces, Millenia octagon bracelets, Millenia triangle bracelet, Tennis deluxe mixed bracelet, Swarovski; Polo neck, stylist’s own; Top, Nanushka. Photo: Mann
Millenia triangle necklace, Millenia octagon necklace, Constella necklace, Stella pendant necklace, Swarovski; Long sleeve top, Tibi at That Concept Store; bustier top, Area at That Concept Store. Photo: Mann
Stella earrings, Stella rings, Swarovski; Top, Rokh at That Concept Store; Dress, Paco Rabanne at That Concept Store. Photo: Mann
Millenia ear cuffs, Stella earring (worn on head), Chroma choker, Dextera necklace, Harmonia necklace, (left hand) Millenia necklace, Millenia bracelets, Hyperbola cocktail ring, (right hand) Millenia bracelets, Dextera bracelet, Stella cocktail rings, Swarovski; Dress, Mrs. Keepa. Photo: Mann
Millenia ear cuffs, Matrix hoop earrings, Millenia triangle necklaces, Millenia octagon bracelets, Millenia triangle bracelet, Tennis deluxe mixed bracelet, Swarovski; Polo neck, stylist’s own; Top, Nanushka. Photo: Mann
Photography: MannDigi tech: Anne BiancaStyle: Ahmed RashwanHair: Betty BeeMakeup: Toni Malt at TBPSet design: Rahat Kunakunova and Fuad Ali at Duette StudioProducer: Danica ZivkovicModels: Kristyna K at Fashion League and Rulan Lian at TBP RepresentsCasting director: Ellie Vojvodinska at TBPStyle assistant: Dani K at 1602Photography assistant: NaseemRetouching: Gorgeous Agency

Swarovski’s New Wonderlab Will Make You Love Crystals All Over Again

Swarovski’s New Wonderlab Will Make You Love Crystals All Over Again

Photographed by Michel Takla
For its 125th anniversary, Swarovski is presenting its much-loved crystals in a whole new way. As part of its relaunch, the Austrian crystal powerhouse recently unveiled the Swarovski Wonderlab, an aptly named sensorial space.
Photographed by Michel Takla
The Wonderlab is spearheaded by the new and first-ever Swarovski creative director, Giovanna Engelbert, who says that it aims to create an immersive entry for all and leave a lasting impression. “The Wonderlab is an idea, it is an imagined place that embodies everything Swarovski stands for and that will continue to inspire us for years to come,” she says in a statement. “The Wonderlab is where science and magic meet, where extra and elegance collide; it is a feeling of wonder that everyone should experience as we invite them into our new world at Swarovski.”
Photographed by Michel Takla
The Swarovski Wonderlab comes alive with the unveiling of 28 Instant Wonder stores. The first one opened in Milan’s Galleria store in February, followed by a Parisian debut in March, and then a New York City unveiling in April, which has led to an opening in the Mall of the Emirates in Dubai on May 28, 2021.
Designed to reflect the brand’s campaign and new visual identity, guests are welcomed into retail spaces with vibrant colors, textures, and innovative materials that encourage curiosity and self-expression. Each Instant Wonder store consists of a range of crystal lifestyle pieces, such as loose components, jewelry, watches, figurines, and accessories, and is furnished with a captivating backdrop of Swarovski’s refurbished octagonal logo silhouette. The old logo had a swan quietly sitting and looking to the left, and has now been replaced with a swan facing the right with its wings raised as if taking off.
Photographed by Michel Takla
Each store is represented by one of five colors – white, pink, green, blue, and yellow. The walls are lined from floor to ceiling in new octagonal boxes to create a monochromatic, repeating motif that encourages exploration. In addition, a series of metallic cast busts replaces traditional jewelry display stands. Each character, named and scanned from life, has been created using innovative 3D technology.
Photographed by Michel Takla
The first expression of the Wonderlab is in Engelbert’s first collection, named Collection One. “I wanted to explore the fundamental geometry of crystal and its potential as a material,” she says. “Looking at Daniel Swarovski’s first drawings was an absolute inspiration, discovering the magic of his early inventions and understanding the power of his dream to create something the world had never seen. As I set out on my own creative journey, I respect how transformative jewelry can be and wanted to create pieces and a vision of style that women and men could embrace and feel like their bold unique selves in.” As if plucked from what Engelbert calls a “mathemagical garden,” the chunky and versatile collection is an array of necklaces, earrings, rings, bracelets, and body jewelry with an inventive approach to the scale, cut, and color of the crystal.
Read More: 10 Pieces to Nail Joyful Dressing for Day This Summer
Style: Ahmed RashwanHair: Deena AlawaidMakeup: Michel KiwarkisModel: Lana AlBeik Set design: 1602 StudioOn-set producer: Mohammad Hazem RezqOff-set producer: Camilla Fitz-Patrick 

Why it’s Showtime for Big, Bold, and Very Brilliant Costume Jewelry

Why it’s Showtime for Big, Bold, and Very Brilliant Costume Jewelry

It’s showtime, as the spotlight lands on big, bold, and very brilliant costume jewelry.
Yasmine Sabri wears earrings, Oscar De La Renta
When Lady Gaga performed the US National Anthem at President Biden’s inauguration, her dreams for her country’s future sang out loud and clear. ­That message was delivered not so much in her words as in the gilded dove of peace pinned to her gown. With a customary olive branch in its beak, this sculptural, golden bird captured the spirit of the moment, reflecting how the pop star – and many of those watching – were looking forward to a period of healing for a divided nation.
Lady Gaga at the 2021 US Presidential inauguration. Photo: Getty Images
­The brooch was designed for the occasion by Daniel Roseberry, the American-born artistic director of Schiaparelli, a couture house that has dealt in drama since its founder, Elsa Schiaparelli, first delighted Paris with her fantastical, surrealist creations in the 1920s. “Jewelry is there to heighten the fantasy of haute couture
“You wouldn’t be able to wear or afford something that big if it were made in real gold,” says jewelry historian and author Vivienne Becker of Gaga’s brooch. Becker, who has always had a soft spot for costume – or haute couture, as fans prefer to call it – jewelry, notes how fitting it is that such a piece should define a day representing peace and democracy. “It’s not about wealth or status, it’s a wholly democratic art form,” she explains. ­ The likes of Schiaparelli may have popularized costume jewelry in pre-war Europe, but it was in America during the 1950s, Becker says, where it truly boomed, as women entered the workforce and began to want inexpensive versions of the jewels hitherto worn only by the rich and famous.
Iris Apfel. Photo: Getty Images
Such appeal has yet to fade. Take, for instance, the omnipresence of costume pieces in the brilliant wardrobe of nonagenarian style icon Iris Apfel. “­ There’s so much joy in wearing costume jewelry,” says Giovanna Engelbert, global creative director at Swarovski. “It’s not a display of wealth but an expression of who you are. It can be chic and bold, or effortless and relaxed, depending on how you’re feeling,” she explains over Zoom, bedecked in multiple necklaces and kaleidoscopic crystal bracelets from her debut collection Wonderlab. “You might be dressed casually, but you can just throw on some jewelry to be more out there,” she laughs.
Ring, Swarovski
Necklace, Panconesi
Also pushing the boundaries of costume jewelry is Marco Panconesi, who designs his own line alongside collections for Fendi and Fenty. He says, “I’m constantly in conversation with jewelry history in my research. I integrate old techniques and apply them to contemporary fashion.” Panconesi’s latest work is inspired by the exuberance of his garden in Morocco, where he lived during last spring’s lockdown. He took the complex 18th century technique of en tremblant, in which diamonds were set on tiny springs to quiver with the wearer’s every move, and transferred it to semi- and non-precious gems of his own creation. Reflecting the wild colors and textures of Moroccan flora, these hybrid gems sparkle from dramatic, oversized ear cuffs and necklaces. He says, “It’s not about cut, color or the number of carats. It’s a metamorphosis whereby even humble materials take on an emotional value that can be enjoyed by the wearer and the onlooker.” Costume jewelry is also an important chance to convey brand DNA. Take, for instance, the giant, interlocking Gs of Matthew M Williams’s gender-neutral chains at Givenchy, or Simone Rocha’s constant reinterpretations of the pearl in chandelier earrings, hairnets, and dress trims.
Earrings, Giorgio Armani
For Maria Sole Ferragamo, scion of the Italian luxury accessories dynasty, costume jewelry is also a way to be more eco-conscious, although she is careful not to describe her brand, SO-LE Studio, as sustainable. “Sustainability should be taken for granted at this point,” she says. Her collections are made in small, exclusive quantities, owing to the limited supply of offcuts she uses, and combine architectural form with featherlight repurposed leather. “I want to use beautiful materials that are already there, it’s a creative stimulus to me,” she explains. “We don’t need all this stuff. We do need beauty, so that’s what I strive to create.” Currently, the pleasure derived from beauty and the escapism provided by limitless imagination feel particularly poignant. As Schiaparelli said, “In difficult times, fashion is always outrageous.”
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Originally published in the April 2021 issue of Vogue Arabia

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